2014
Kader Attia
Continuum of Repair: The Light of Jacob’s Ladder
Solo exhibition catalogue
BOZAR
2014
Special edition jacket
Jay Bernard & Yemisi Blake
100
Josh Lilley Gallery
Jeremy Deller
Special edition cover for Wallpaper* Magazine
Special edition covers with
unique screenprint
Daniel & Matthew Wolfe
Catch Me Daddy Badges
Integrated graphics, D&AD Wooden Pencil, 2015
Jeremy Deller
William Morris Says Don't Relax
Jeremy Deller & Fraser Muggeridge
An Acanthus wallpaper match-piece, hand printed at Sanderson’s Perivale Wallpaper Factory in 1975, employing the original 1875 Morris & Co. printing blocks
Christmas gif
From top to bottom:
Original version
Under 25 version
Over 65 version
Typography Summer School Melbourne
Melbourne
9–13 February 2015
Harriet Edquist
Emily Floyd
Jenny Grigg
Brad Haylock
Dominic Hofstede
Fraser Muggeridge
Ziga Testen
Paul Tisdell
Daniel Buren
From A Single One To Millions, Part 2: Ink On Paper, 2014 by Daniel Buren
Got Tortilla with Butter on Phone. Think it’s the End?
Magnum Photos: One Archive, Three Views
Melodians Magic
Jeremy Deller
Limited edition cover for Wallpaper* Magazine
William Morris & Andy Warhol
Love Is Enough
William Morris & Andy Warhol
Love Is Enough
William Morris & Andy Warhol
Love Is Enough
William Morris & Andy Warhol
Love is Enough
Bob Cobbing & Peter Mayer
Concerning Concrete Poetry
Facsimile of 1978 edition
Softback, 136 pages
Jonathan Meese
Jonathan Messe
Mel Brimfield & Gwyneth Herbert
The Palace That Joan Built
Jeremy Deller & Fraser Muggeridge
English Magic Remix Portfolio
Signed edition of 20 print portfolios
For enquiries please email
info@pleasedonotbend.co.uk
Jeremy Deller & Fraser Muggeridge
T-shirt for the Melodians Steel Orchestra
Jeremy Deller & Fraser Muggeridge
English Magic Remix
Exhibition at Crate, Margate
10 October 2014 – 11 January 2015
Jeremy Deller
English Magic
Jeremy Deller
English Magic
Jeremy Deller
English Magic
Jeremy Deller
Save The Hen Harrier
Artist edition
Turner Contemporary
2014
silkscreen on correx
54 × 39 cm
Karla Black
Daniel & Matthew Wolfe
Catch Me Daddy
Coded by Start.cat
Integrated graphics, D&AD Wooden Pencil, 2015
Mimeographica Alphabetica
Studio project
Whitechapel Gallery
2014
Exhibition at Whitechapel Gallery, London
4 October – 30 November 2014
Installation photos by Richard Eaton
Watch video here
Jeremy Deller & Fraser Muggeridge
English Magic Remix
Fabian Peake
Loose Monk
Hardback and softback, 72 pages
Tokyo Type Directors Club
Prize Nominee featured in book, 2016
The Saatchi Gallery 30 Year Anniversary 2015
Advertisement
The Saatchi Gallery
2014
Printed in The Financial Times, The New York Times, The Daily Mail, The Sunday Times, The Telegraph, The Guardian
Elisabeth Price
Rite of Passage: The Early Years of Vienna Actionism 1960–1996
Hardback, 116 pages
Tokyo Type Directors Club
Prize Nominee featured in book, 2016
Jean Genet
Marc Camille Chaimowicz
The Studio of Giacometti
Softback, 72 pages
Kenneth Alme
My Tarp Has Sprung a Leak
Richard Wentworth
When You Look You May Not See
Michel François
Pieces of evidence
Laure Prouvost
Trevor Paglen
An English Landscape
Trevor Paglen
An English Landscape
Alex Ito
Tales From a Sadine Run
Live and Let Die
Ian Kiaer
Tooth House
100% Southend
Poster
Focal Point Gallery
2014
Posters and T-shirts based on categorisations of people’s engagement with culture, developed in 2008 by Arts Council England
Close and Far
Close and Far
Ivan Chermayeff
Cut and Paste
Ivan Chermayeff
Cut and Paste
Yorkshire in Yellow
Design for Maillot Jaune T-shirt
Part of the Grand Depart of the Tour de France 2014
Millenium Galleries, Sheffield
31 May – 7 September 2014
A Clockwork Jerusalem
A Clockwork Jerusalem
Exhibition
British Council
2014
Curated by Sam Jacob
and Wouter Vanstiphout
Photographs by Cristiano Corte
Dean Levin & Oliver Perkins
Wharf Road Bakery
Kader Attia
Continuum of Repair: The Light of Jacob’s Ladder
Solo exhibition catalogue
Whitechapel Gallery
2014
Softback, 140 pages
Jacqueline Humphries
Bruce McLean
King for a Day
Giorgio Sadotti
Muddy Waters
Katie Paterson
Future Library
Bruce McLean
Sculpture, Painting, Photography, Film
Ansel Krut
Eva Rothschild
Daniel & Matthew Wolfe
Catch Me Daddy
Softback, 68 pages
Integrated graphics, D&AD Wooden Pencil, 2015
Daniel & Matthew Wolfe
Catch Me Daddy
Integrated graphics, D&AD Wooden Pencil, 2015
Bristol Art Weekender
Giorgio Sadotti
FEET FEET FEEL
Chris Marker
A Grin Without a Cat
Solo exhibition catalogue
Whitechapel Gallery
2014
Softback, 136 pages
Typography Summer School 2014
New York
4–8 August 2014
Sean Lynch
A Blow-by-Blow Account of Stonecarving in Oxford
Luc Fuller
Standing Paintings
Extended Font Family
Studio project
Modern Art Oxford
2014
Collaboration with Eleanor Vonne Brown, part of Test Run, 2 May – 8 June 2014
Sean Lynch
A Blow-by-Blow Account of Stonecarving in Oxford
Sean Lynch
A Blow-by-Blow Account of Stonecarving in Oxford
Hannah Rickards
To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen.
Solo exhibition catalogue
Modern Art Oxford
2014
Softback, 96 pages
David Mabb
Announcer
David Mabb
Announcer
Simon Martin
Hammer House
Lara-Schnitger
RCKA
Ian Kiaer
Photographing Sculpture
Ian Kiaer
Ian Kiaer
Club of Friends
Eva Rothschild
Bas van den Hurk
Once Upon A Time You Dressed So Fine
12,288pt
The World’s Largest Enlarged Letter
2014
Camberwell College of Art, London
7th March 2014
Fraser Muggeridge
George Wood
Anders Wallner
Manon Brournel-Bosson
Liam Richards
Myrddin Wooding
Danny Aldred
Jaquinta Lindstrom
Eloise Harris
Andrea Evangelista
Arunima Choudhary
Luo Mei
Final size: 12,288pt
Start size: 24pt
Typeface: Romaansch
Letter: G
I Cheer a Dead Man's Sweetheart
Group exhibition catalogue
De La Warr Pavilion
2014
Softback, 54 pages
Mark Flood
Hannah Rickards
To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen.
Hannah Rickards
To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen.
Hannah Rickards
To enable me to fix my attention on any one of these symbols I was to imagine that I was looking at the colours as I might see them on a moving picture screen.
Jean-Baptiste Bernadet
Fugue
Jeremy Deller
English Magic
The Centre of the Earth is Molten History
Yngve Holden
